Centre for Applied Research in Dance
http://hdl.handle.net/10547/132256
Dance at Bedford has an international reputation in research in the
area of dance and technology. CARD supports and promotes excellence
in research in e-dance and knowledge transfer between the academic
and professional domains within the subject.2024-03-15T20:08:28ZThe Irish and the Italians : de Valois, the Cecchettis and the "other" ballet mime
http://hdl.handle.net/10547/594834
The Irish and the Italians : de Valois, the Cecchettis and the "other" ballet mime
Poesio, Giannandrea
2012-01-01T00:00:00ZEmbodiment and dance: puzzles of consciousness and agency
http://hdl.handle.net/10547/594833
Embodiment and dance: puzzles of consciousness and agency
Carr, Jane
2013-01-01T00:00:00Ze-Dance: relocating choreographic practice as a new modality for performance and documentation
http://hdl.handle.net/10547/594802
e-Dance: relocating choreographic practice as a new modality for performance and documentation
Bailey, Helen; Buckingham-Shum, Simon; Popat, Sita; Turner, Martin
This paper identifies new practices and possibilities at the intersection of Dance and e-Science. It is particularly concerned with the complexity of the concept of ‘location’ in relation to internet enabled performance practices. Julia Glesner provides a useful analysis of spatio-temporal relationships in internet performance: “telematic and distributed performances dissolve the spatial (but not the temporal) unity between performers and spectators and distribute the scenic space into diverse remote sites. This paper considers the ways in which the e-Dance project is formulating a new mode of choreographic practice that engages with this dislocation in the co-dependent interrelationship of space and time. This new modality is distinct from existing on-line compositional practices such as ‘hyperchoreography’ and ‘hyperdance’ and as a result of recent advances in Access Grid and Hypermedia Discourse technologies, is also distinct in form and process from ‘distributed choreography' and other telematic choreographic practices. The research for this paper has emerged from the first sixmonth’s findings of e-Dance, a two-year interdisciplinary practice-led project bringing together practitioner/academics from the fields of Dance and e-Science, in a unique collaboration across three UK Research Councils.
2008-01-01T00:00:00ZEcologies of choreography: three portraits of practice
http://hdl.handle.net/10547/594798
Ecologies of choreography: three portraits of practice
Ashley, Tamara
How are dance artists dealing with ideas about environmental change in their everyday practice? How are discourses of environmental change contributing to the development of new ways of thinking about choreographic practice and the role of the dance artist in contemporary society? By sharing portraits of practice of three ecologically concerned dance artists, Eeva-Maria Mutka, Tim Rubidge and Nala Walla, this article offers some insight into what might constitute ecological choreographic practices.
2012-12-06T00:00:00Z